Rebecca Ferguson plays Anna, who had much more fun being the “other woman.” Photo credit: Barry Wetcher, DreamWorks The Girl on the Train, directed by Tate Taylor and based on the blockbuster novel by Paula Hawkins, is upscale, sexy and stylish, featuring many good looking people behaving badly. The movie is so confusing to follow, it makes keeping track of the names in Russian literature seem easy. What is perfectly clear is that everyone is miserable. Screenwriter Erin Cr

When “Mustang” opened to a small handful of U.S. theaters last year, critics gushed. But like many independent films, it evaporated at cinemas like an ice cube on a hot stove. When it showed up on Amazon recently, I was ecstatic and planned an evening to watch it with my husband and teen aged daughter. From the opening scene to the end credits, we were totally engrossed. Charmed and repelled. Happy and incredulous. Our hearts broke. The good news is that “Mustang” has a good